Adam Chau – Essay about influence and idea development
“My clay journey started early – my family opperated a bakery when I was growing up and I learned commercial-level baking at a very young age; it was shortly after that I discovered that ceramics was parallel with baking and was an easy transition into a creative artform. Because of this introduction to seriality from a commercial standpoint I was most comfortable (and interested) in making multiples. My influences reflected as such in song-dynasty production, Ko-Sometsuke wares, tile factories, and global designers. Design plays a huge role in how I opperate and I am always inspired by it because it gathers craft, global dialog, and visual communication all together – I try to be on top of contemporary design trends and movements. On a more fined-tuned level I am looking at artists that use text in their work as I am incorporating language and communication in with my ceramics; artists like Sophie Calle and Tracy Emin are influences to me.
Jim Termeer was my thesis mentor in graduate school and instilled in me a studio practice that is always growing – objects that I make are adjustments from the previous batch. This way of iterative making keeps me moving and is a pursuit of a communicating a clear vision. Blake Williams has also been a mentor of mine; since she’s seen my work grow she has a clear understanding of the messages I try to convey and always brings me back to the foundation of my practice.
Since my background is in design I iterate a concept before I execute something – the large part of my time is actually mapping out an idea and concept without touching clay. It took months to arrive at the final version of my iPhone series because every single detail had a reason for the way it looked and how you interacted with it – it was all preplanned. I am always thinking of how other people will interpret my work; because of this I am constantly looking at other artists and designers to see how their message is coming across. I know a work is done when it conveys a message conceptually and aesthetically. I hope that design is taken into ceramic curriculums – it is only growing stronger in other commercial industries. I’d love to see emerging artists in the future adopt both technology and design issues to be a part of the global conversation.”