The Emerging Artist deadline is quickly approaching.  September 30. 2014 NCECA believes that those creating work offering new/exciting/thoughtful perspectives on the ceramic medium, expanding upon genres of creative production and inquiry are qualified as candidates for its Emerging Artist awards. An Emerging Artist may be at the early stages of receiving recognition for his/her work but is currently underrepresented through exhibitions or publications that might otherwise bring the work to […]

Deadline – September 24 @ MIDNIGHT PACIFIC TIME!Attention all full time undergrad, grad and post-back students — it is time to apply to be a part of the nation’s première showcase of student talent in ceramics!  Apply now to NCECA’s 2015 National Juried Student Exhibition, juried by Ryan LaBar and Magdalene Odundo and see you in Providence, RI in March!

Do you like a challenge? Do you live life as a “lively experiment?” Do you push boundaries, can you solve problems on the fly while working in front of an audience? Then, 2015 NCECA Projects Space is where you need to be. Don’t worry- you still have a month to complete your application materials for the October 1 due date for the 2015 NCECA Conference in Providence! NCECA’s Projects Space is […]

Adam Shiverdecker’s newest work, a solo exhibit at Greenwich House Pottery’s Jane Hartsook Gallery titled “On a Grecian Urn” opened July 10 and runs through August 7, 2014. You can find him online at www.adamshiverdecker.com  At first glance, even through slides, Adam Shiverdecker’s work is imposing. Evoking long-submerged, hulking and rusted war machines lifted from the ocean floor, his wire and clay sculptures are powerful reminders of the inevitability of […]

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Calling all clay artists!  It is time to get your application together for the 2015 NCECA Biennial! Our esteemed jurors Linda Christianson, Anders Ruhwald and Jo-Ann Conklin are looking forward to seeing your work and putting together a thoughtful and compelling exhibition for Lively Experiments in Providence, R.I.   Don’t wait until the last day to apply!  The deadline is July 1.  Produced by the National Council on Education for the Ceramic Arts, The […]

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The annual conference for the National Council for Education in the Ceramic Arts descended upon Milwaukee last Tuesday and stayed through Saturday afternoon. In those few days, over 4,000 people came to the talks, demonstrations, and exhibits in the Wisconsin Center. The Milwaukee Art Museum alongside numerous galleries in the 3rd Ward hosted concurrent independent exhibitions, showing ceramic based work from local, national, and international artists. Potters, sculptors, collectors and clay enthusiast mixed […]

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Sprinkled among the multitude of objects that fill our Material World; ceramics whether industrially manufactured or hand crafted, from the recent or distant past, even fresh out of the kiln, collide in the present.  Continually in flux as their function and relevance shifts, ceramics objects move through time and space adjusting to present tastes, trends and values.  Artists exploring the flow between factory and studio, museum collection and discard pile, […]

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One of the highlights of the conference for me is the NCECA Gallery Expo, especially the Tuesday night Expo Reception.  I was first “born into NCECA” as a commercial exhibitor, spending my days in the Resource Hall, which never left much time for seeing Art.  I remember first seeing the Expo at the Louisville NCECA, and it was a beautiful sight to behold from my booth in the Big Convention […]

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Sound flows.  A sculpted sound translation of Santiago Calatrava speaking the native word thought to be the basis of the name Milwaukee, Jeffrey Mongrain’s spare and elegant signature form represents the flow of sound.  Just as a speaker in a sound system vibrates or a vinyl record records sound, this minimal black circle mysteriously reveals its vibration to those willing to pause, observe closely and allow the work to reveal […]

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Gresham, Wisconsin studio potter Simon Levin has asked fifty of his favorite clay workers* to contribute a plate to a fundraising initiative in support of NCECA’s 50th anniversary, which falls in 2016. Over the past two months some of your favorite potters across the country opened an emailed letter that asked them to imagine Simon playing the role of Uncle Sam with his clay covered finger pointing their way proclaiming, […]

INOVA (Institute of Visual Arts) is the contemporary art gallery at the Peck School of the Arts, University of Wisconsin-Milwaukee. Since 1996, INOVA has been widely recognized for our support of artists’ new work, for our rigorous curatorial program, and for bringing innovative art to the UWM campus and the city of Milwaukee. INOVA embraces a dual role in Milwaukee — we are the preeminent contemporary art center as well […]

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Flow: The 2014 NCECA Ceramic Arts Invitational is currently on view at the Milwaukee Art Museum.  The space is stunning with a wall of windows facing Lake Michigan and spacious with nearly 8,000 square feet of space.  A long corridor that connects the main lobby or Windhover Hall to the museum proper, the Baumgartner Galleria is now a meander of ceramic delights and challenges.  Curated by Linda Ganstrom, NCECA Exhibitions […]

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With a history dating back to 1888, the Milwaukee Art Museum’s Collection includes nearly 25,000 works from antiquity to the present, encompassing painting, drawing, sculpture, decorative arts, prints, video art and installations, and textiles. The Museum’s collections of American decorative arts, German Expressionist prints and paintings, folk and Haitian art, and American art after 1960 are among the nation’s finest.  Additionally, Milwaukee Art Museum will host the NCECA show, Flow. […]

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Plenty, a collaborate exhibition by Allison Rose Craver and Katie Coughlin, will be on view at Heather Cooke Elliot, located in Suite 302 of the Marshall building,  for the duration of the NCECA conference. The exhibit includes a new collaborative work  that celebrates the role of tableware in the development of memory and ritual as well as a selection of works made independently by each artist. Though Allison is primarily a […]

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