ICYMI (In Case You Missed It) The NCECA podcast has returned!  With big thanks to Ben Carter for all of his expertise and assistance, NCECA has been releasing a variety of episodes for our members to enjoy!  This season premiered in September with an episode recorded live at the 2014 Conference in Milwaukee, Igniting the Workshop Circuit.  Since then, we have made available Episode 18, Factory as Studio a panel moderated by […]

We are excited to make available the video footage from NCECA’s inaugural Roundtable Discussion.  At our 48th annual meeting in Milwaukee, with generous support from the Chipstone Foundation, NCECA was able to bring together a “dream team” panel of creative thinkers in and adjacent to our field.  The title of this roundtable, “Handle as Bridge: Creativity, Learning & Purpose” was inspired by a 1911 essay by philosopher and critic Georg Simmel that […]

In contrast to the changing seasons, currently in the mode of closing another chapter of life, 2014 Emerging Artist Mel Griffin has been opening one. Planting seeds with deliberate and thoughtful choices, Griffin has stepped away from a peripatetic life and stepped into ownership of a new home and studio. After two years at the Archie Bray Foundation, she is permanently staking her claim in Helena, Montana. Carefully considered decision […]

2014 was an exciting year for the Arts/Industry program. Not only did we celebrate our 40th Anniversary with a sweeping retrospective exhibition at the John Michael Kohler Arts Center and a well-attended opening celebration, but we also had many opportunities to work with the NCECA Milwaukee conference! The Arts Center partnered with NCECA to offer a special preconference tour of the Arts/Industry studios at Kohler Co. and of the exhibition […]

The time you’ve been waiting patiently for has come!  NCECA 2015 Conference Registration is now open!  Join us in Providence for our 49th annual meeting.  You won’t find a better price than our Early Bird Registration pricing.  Check out our packed preliminary program, and you might also look over some of our FAQ.  Please note, your membership is separate from your conference registration.   Many people find it most convenient […]

In a 46-minute performance talk, Artist, Theaster Gates will present a new work that traces the creation of several artistic narratives that point to the rich and dynamic possibility of clay within his larger practice. The Need for Blackness suggests that there is a need for a more critical examination of the histories of black legacies within Ceramic traditions. Using collections of images that he has gathered from the Museum […]

Read More 0 like Comments Off

NCECA is excited to announce the revival of our podcast!  This season premiers with an episode recorded live at the 2014 Conference in Milwaukee.  Igniting the Workshop Circuit, a popular panel led by moderator Tommy Frank with panelists Linda Arbuckle, Bill Griffith & Sandi Pierantozzi is available directly on the web here, or you can subscribe to it in iTunes and get new content delivered directly to you.   We have […]

Read More 0 like Comments Off

I was a guest speaker at the 48th annual NCECA Conference, held this year in Milwaukee. The National Council on Education for the Ceramic Arts is a dynamic and influential organization that celebrates the creative potential of clay. Almost 4,500 of its members were at the conference, nearly all of them potters. I spoke on Dave, the Edgefield slave potter, who is the subject of my book, CAROLINA CLAY. There […]

The Process Room at Material World, NCECA’s 2014 Conference in Milwaukee consisted of 16 different artists demonstrating specific ceramic techniques/processes within 30 minutes.   In this second year of the popular conference feature, we added a camera and sound equipment so that we can provide the content online!  Below, check out a video of the popular session with Rhonda Willers on Weathered Surfaces, and click here to view and download Willer’s detailed […]

Read More 0 like Comments Off

Cynthia Bringle makes pots…”useful things”.  She is a Lifetime member of the Southern Highland Craft Guild, a Felow of the American Craft Council, an Honorary Doctor of Fine Arts from Memphis College of Art, and  North Carolina Living Treasure.  She was awarded the North Carolina Award for Fine Art, and was the subject of the third NCECA Spirit of Ceramics Video.  For over 50 years she has made her living […]

Read More 0 like Comments Off

The Process Room at Material World, NCECA’s 2014 Conference in Milwaukee consisted of 16 different artists demonstrating specific ceramic techniques/processes within 30 minutes.   In this second year of the popular conference feature, we added a camera and sound equipment so that we can provide the content online!  Below, check out a condensed video of the popular session with Mark Cole on using wax resist for layering glazes, and be sure […]

Read More 0 like Comments Off

NCECA has just released a 40-minute video on YouTube documenting Virtual Realities, Material World, one of the most popular panel presentations from NCECA’s 2014 Conference in Milwaukee. This session included presentations by Ben Carter, Carlole Epp, Michael Kline and Adam Field. Go take a look and learn how your peers in the clay world are using social media to advance their work, connect with audiences and sustain vibrant professional networks.  Check […]

Read More 0 like Comments Off

The initial and easy assessment of Zimra Beiner the person? Mind you, “easy” means from a distance. Watching someone who is naturally engulfed in observing his world and is not particularly concerned with how the world is observing him will leave one with an impression revealing more about one’s own peccadillos than the reality of who Beiner is and what actually motivates his studio practice. So what is really going […]

Read More 0 like Comments Off

Theaster Gates entered into my consciousness on November 20, 2013 at the Art Gallery of Ontario in Toronto. His presentation, “Time is Longer Than the Rope” was a startlingly brief 20-minute performance. Gates delivered a powerful multi-layered message complete with inferences to I-ching, ‘the hoodoo of the postmodern’ and offered up alternative ways to engage African art with the western (read white) canon of art. The audience was primarily composed […]

Read More 0 like Comments Off